As Morath’s candid photographs attest, the bespectacled playwright is a prominent figure on the set, often captured deep in one-on-one conversations with the likes of Hytner, Day-Lewis, Ryder and Paul Scofield, who gives a towering performance as the trials’ forbidding judge, Thomas Danforth. Fortunately, the collaborators soon fell into a companionable step, and Miller accompanied the film’s cast and crew to its principal location – the bucolic Hog Island in Massachusetts, a remote wildlife refuge just miles from the site of colonial Salem – to oversee the shoot. “It was like going to Shakespeare and asking for amendments to King Lear,” he told Entertainment Weekly. Hytner, who was 40 at the time, was awed by the 80-year-old Miller’s participation in the process. Miller agreed to adapt the screenplay for the film, and his wife, the lauded Austrian-born photographer Inge Morath – doyenne of evocative portraiture, of celebrities and civilians alike – was on hand to document its production. Known for his extensive work in theatre, Hytner was an auspicious choice to direct the cinematic version of Arthur Miller’s renowned 1953 play, an allegory about the anti-Communist government witch hunts of post-war America, wrapped up as a re-telling of the Salem Witch Trials of 1692. ![]() In early 1996, filming began on British director Nicholas Hytner’s second feature film, The Crucible.
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